Week #19 Monochrome Works II

Untitled (Black Abstract Form), 1960, ink on paper, 14” x 8 ½”

This week’s work on paper by Dusti Bongé again showcases how she found a unique way to channel her abstract expressionist impulses into a rather delicate ink drawing. This shows not only Dusti’s versatility, but also the versatility of the movement. It allowed for the artist to find their own personal form of expression, whether bold and aggressive, serene and soothing, or delicate and gentle. And all of this could occur in intense colors or stark monochromatic pieces, with exuberance or restraint, and at all scales.

Dusti always said she loved all colors, but she also had a deep appreciation for works in just black and white, and the challenges they posed to the artist. Throughout the 50s and 60s she created numerous works on paper in various media, exploring black & white compositions. Some of these were definitely bold and aggressive, but this month’s examples are all clearly much gentler. She also explored different media, such as spray paint and ink. And in some cases, she even used unusual tools to apply her medium, such as sticks and strings dipped in ink.

In this monochromatic work there are dominant, broader, solid lines contrasted with sinuous, thinner lines. The heavier curved vertical lines create an enveloping shape with slightly diagonal lines at the top and bottom completing the form. This shape, in turn, frames a central composition with thinner lines intertwining in a way reminiscent of a cobweb or dreamcatcher. A few shadowy washes barely accentuate the lines of the larger form, offering a sense of depth to the whole. As you look closer you will see that throughout the work there are numerous very wispy lines and scratch marks.