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For a limited time:
Two original lithographs of drawings by Dusti Bongé are available through our Special Holiday Offer through January 25, 2021. Printed by the Marais Press, these two collectors' quality inaugural prints are part of a limited edition. Each lithograph is stamped certifying authenticity by the Dusti Bongé Art Foundation. Shrimp Boats & Factories, Back Bay, Biloxi I. Available January 2021. Shrimp Boats & Factories, Back Bay, Biloxi II. Available March 2021. The original drawings were done in pencil and both date back to 1939. The original drawings and the lithographs are all 12" (h) x 16" (w). |
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Lithograph: Shrimp Boats & Factories, Back Bay, Biloxi I
$150.00
$100.00
Original lithograph from a drawing by Gulf Coast artist Dusti Bongé.
Shrimp Boats & Factories, Back Bay, Biloxi I, 1939, lithograph, 12" x 16", limited edition.
Available January 2021.
Lithograph: Shrimp Boats & Factories, Back Bay, Biloxi II
$150.00
$100.00
Original lithograph from a drawing by Gulf Coast artist Dusti Bongé.
Shrimp Boats & Factories, Back Bay, Biloxi II, 1939, lithograph, 12" x 16", limited edition.
Available March 2021.
Set of Two Lithographs
$300.00
$175.00
For a limited time:
Set of two original lithographs from drawings by Gulf Coast artist Dusti Bongé.
Shrimp Boats & Factories, Back Bay, Biloxi I and Shrimp Boats & Factories, Back Bay, Biloxi II
Set of two original lithographs from drawings by Gulf Coast artist Dusti Bongé.
Shrimp Boats & Factories, Back Bay, Biloxi I and Shrimp Boats & Factories, Back Bay, Biloxi II
Dusti Bongé, Art and Life: Biloxi, New Orleans, New York.
$75.00
Gruber, J. Richard, Dusti Bongé, Art and Life: Biloxi, New Orleans, New York
Written by J. Richard Gruber
Designed by Phillip Collier Design Studio
Printed by Emprint / Moran Printing
Published by Dusti Bongé Art Foundation, Inc.
The book offers an in-depth look into Dusti Bongé's life and art, and her relationship to the three cities that most influenced both. It traces the evolution of her art, places her career in a regional and national perspective, and firmly establishes her position in the context of 20th century American art.
